(logo designed and explained by Frieda Van de Poll)
Explanation of the logo:
The Kolibri or Hummingbird is a symbol for accomplishing that which seems impossible. For the native Americans, the bird is a symbol of rebirth, and of resurrection. It brings special messages for us, in its capacity of going in any direction; the only creature that can stop while traveling at full speed and the only bird that can fly backwards as well as forwards, up and down.
Frida had a special connection with this bird. She painted her eyebrows in the arc of the wings of the hummingbird, perhaps identifying herself with the extraordinary life skills of this colourful, tiny and vulnerable bird with the heart of an eagle. The logo is set in a stamp which fits the idea of the kolibri being a messenger…
Sisters of Frida CIC is an experimental co operative of disabled women. We want a new way of sharing experiences, mutual support and relationships with different networks.
Sisters of Frida started at a meeting when we floated the idea of having a disabled women’s group. It took some time to come together – the co founders were Eleanor Lisney, Michelle Daley, Eleanor Firman, Maria Zedda, Svetlana Kotova, Frieda Van De Poll and Martine Miel. We became a CIC in 2014.
We are seeking to build a/or different networks of disabled women. The barriers and multiple discrimination have not changed, we struggle to have our voices heard as disabled women in our own rights.
We would like a sisterhood, a circle of disabled women to discuss, share experiences and explore intersectional possibilities.
Why Sisters of Frida?
We took a long time deliberating on a name. We are disabled women but that is not our only identity – we are also embracing the whole package of being women and disabled. And we believe strongly in the social model of disability. We want to celebrate the difference of being of different ethnic origins, different cultures and nationalities, of different sexual orientation, of being mums, having partners and being single women. We are creative and our creativeness is born from our identities – of the very pain of being impaired and disabled at times. But we are not victims.
Hence we found a role model in Frida Kahlo. She is not one immediately associated with disability and yet her art was filled with images of the crippled body. She was also an activist and she wanted a life full of love, of relationships. In her art we also glimpse the dark landscape of her mental health in the aftermath of still births and in her stormy relationship with Diego Riveria.
We can strive to live our lives as full as she did